John Alexander Skelton's Fall 2026 Menswear collection recently unveiled itself in a captivating London presentation, transforming a 19th-century chapel into an evocative, time-bending space. The designer, known for his unique blend of fashion and theatrical storytelling, drew attendees into a world of "disheveled, lightly Dickensian glamour." This immersive experience, set amidst peeling plaster and corrugated iron, served as the perfect backdrop for garments that resonated with a profound sense of history and craftsmanship. The collection itself, presented on eerie, scarecrow-like figures, highlighted Skelton's deep fascination with historical narratives and the tactile beauty of traditional British textiles.
The presentation transcended a typical fashion show, evolving into a performance art piece. Skelton's brother, Ryan, delivered a haunting poetic recitation, weaving through the assembled mannequins and dramatically revealing each meticulously crafted garment. This theatrical approach was further enhanced by a film projection depicting masked figures engaged in a ritualistic dance around a bonfire, echoing ancient Celtic traditions. The clothing, characterized by rich textures, earthy tones, and intricate details, underscored Skelton's commitment to creating pieces that are not merely worn but experienced, infusing each design with a spiritual and timeless quality.
A Journey Through Time: Setting the Scene for Skelton's Vision
In a damp and dark January evening in London, a procession of stylish individuals made their way to the Asylum Chapel, an old 19th-century almshouse complex. This historic location, with its crumbling walls and corrugated iron patched ceiling—a testament to its wartime bombing—offered a perfectly atmospheric environment for John Alexander Skelton's latest presentation. The ambiance was further enriched by hot cider served from a tureen and antique chairs arranged in circles around a central stage. This meticulously chosen setting immediately transported guests into a bygone era, foreshadowing the collection's deep connection to history and artisanal heritage.
The chapel's dilapidated interior, adorned with peeling plasterwork and scattered cobwebs, created a haunting yet beautiful backdrop. At the heart of the space, a spotlight illuminated scarecrow-like figures, their papier-mâché heads resembling ancient totems or effigies, some topped with small peaked black caps. Skelton revealed his long-standing fascination with scarecrows, inspired by a 90s photography book, noting their intriguing duality of beauty and sinister potential. This setting, steeped in historical character and a subtle sense of unease, laid a compelling foundation for the dramatic unveiling of a collection that blurred the lines between fashion, art, and ancient lore, inviting attendees to ponder the deeper meanings embedded in each piece.
Theatrical Unveiling: Craftsmanship and Celtic Echoes
The collection's unveiling was a masterclass in theatrical presentation, moving far beyond a conventional runway show. A masked figure manipulated a swiveling spotlight, signaling the commencement of the event. Soon after, Ryan Skelton, the designer's brother and frequent collaborator, entered the space, beating a drum and chanting a poem that invited the audience to enter a different dimension. This captivating performance culminated in the dramatic revelation of each garment, as Ryan tore away covering cloths from the mannequins, allowing the spotlight to highlight Skelton's distinctive creations one by one.
The revealed designs were a testament to Skelton's dedication to earthy aesthetics and meticulous craftsmanship. The collection featured heavily textured tweed waistcoats with tonal checks, crumpled linen night-shirts and tunics embellished with talismanic jewelry, jackets with artfully frayed edges, and shirts adorned with intricate block prints and motifs inspired by Celtic deities. Skelton expressed his admiration for the Celts' rich history and their exceptional skills as craftspeople and traders, which profoundly influenced his designs. The show also incorporated a film, directed by William Waterworth, depicting masked figures dancing around a bonfire on a moor, evoking a "Wicker Man-esque" ritual. This seamless integration of fashion, performance, and ancient references created an emotionally charged and unforgettable experience, grounding the theatricality in the rugged beauty and historical depth of the garments themselves.